by USA Today Bestselling Author, S.M. Schmitz

Ossian on the Bank of the Lora, Invoking the Gods to the Strains of a Harp (1801)
by François Gérard

With hugely successful series like Percy Jackson & the Olympians and Magnus Chase and the Gods of Asgard, Rick Riordan has brought mythological fiction into the mainstream. While his middle grade books might typically find younger audiences, mythological fiction is an exciting fantasy subgenre for adults as well.

I began writing mythological fiction because of my background as a world history instructor. One of my areas of interest is social history, and religion and belief systems are a significant aspect of all cultures throughout history. Those beliefs have shaped gender relations, education, class divisions, politics, foreign policies, and systems of alliances.

What we now label as mythology isn’t just a collection of interesting stories; they are little windows into the pasts of our ancestors, snippets of their lives, their beliefs, their fears, and their hopes.

My first mythological series is The Immortals, which is loosely inspired by The Book of Enoch. This non-canonical text describes the fall of a group of angels after seeing some of the beautiful women on Earth. Pieces of the mythology from this Ethiopian script are found throughout The Immortals series as those humans who have been conscripted by Heaven to fight on its behalf combat demons on Earth.

One of the many things world mythologies can teach us is about gender norms and roles. The story of Lilith is a perfect example. According to some other non-canonical texts (which are also used for The Immortals), she was the original wife of Adam, but “refused to lie beneath him.” The implication is that Lilith refused to be subservient to a man and instead demanded to be regarded as his equal. She was cast out of Eden and in some texts, partnered with a fallen angel (perhaps Azazel or Samael). This union then produced all the demons that would plague mankind forever.

The moral of the story, of course, is that of expected gender roles. Lilith is punished for not fulfilling the role expected of her and is exiled, while her partnership with a fallen angel and the subsequent birth of thousands of demons firmly places her existence as a malevolent one for having failed to behave as a subordinate to man.

The Unbreakable Sword series is a multiverse world in which all pantheons from every civilization coexist. Although it has a contemporary setting, many of the most famous gods and goddesses from the most popular world mythologies are still alive and can be found in this series. The primary focus, however, is on the Tuatha Dé of Ireland.

The stories contained within the early Irish myths not only give us fascinating tales of heroes like Cú Chulainn who must overcome seemingly insurmountable obstacles to marry Emer, the romantic tragedy of Deirdre and Noísiu, and one of my personal favorites, “The Wooing of Étain,” but can teach us about pre-Christian Ireland’s social and legal structure as well.

Because no written language existed before the Christianization of Ireland, we sometimes have to read these myths with the understanding that they were transcribed by monks and are almost certainly altered and, sometimes, Christianized (for example, I’m almost positive that in the original legend of Caoranach, St. Patrick didn’t spend two days and two nights in Lough Derg battling the mythological serpent). But the original legends still provide insight into early Irish rituals (for example, the concept of the gessa or the celebratory feasts that accompanied traditional changings of the seasons) and laws (inheritance rights, and the responsibilities and duties of a king).

While we fiction writers often leave out the historical context of the myths we’re adapting since we are, after all, crafting entertaining fictional stories inspired by the religions of our ancestors, the historian in me invites readers to explore the legends of our ancestors more fully, to see their worlds through their tales that have survived the millennia and entertain us still.

Whether it’s Magnus Chase or Cameron and Selena from The Unbreakable Sword series, if you find inspiration in their adventures with the gods, then let the gods inspire you to journey with them into the past.

For more information on S.M. Schmitz’s books, please visit smschmitz.com.